![]() Hitmen Jules Winnfield and Vincent Vega arrive at an apartment to retrieve a briefcase for their boss, gangster Marsellus Wallace, from an associate, Brett. Other analysts describe the structure as a "circular narrative". According to Philip Parker, the structural form is "an episodic narrative with circular events adding a beginning and end and allowing references to elements of each separate episode to be made throughout the narrative". Sequences 1 and 7 partially overlap and are presented from different points of view, as do sequences 2 and 6. If the seven sequences were ordered chronologically, they would run: 4a, 2, 6, 1, 7, 4b, 3, 5. Prelude to "The Gold Watch" (a – flashback, b – present)."Vincent Vega and Marsellus Wallace's Wife". ![]() Prelude to "Vincent Vega and Marsellus Wallace's Wife".There are a total of seven narrative sequences the three primary storylines are preceded by intertitles: It finally returns to where it began, in the diner. The film begins with a diner hold-up staged by a couple, then moves to the stories of Vincent, Jules, and Butch. Pulp Fiction's narrative is told out of chronological order, and follows three main interrelated stories: Mob contract killer Vincent Vega is the protagonist of the first story, prizefighter Butch Coolidge is the protagonist of the second, and Vincent's partner Jules Winnfield is the protagonist of the third.
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