are not independent) or because their main purpose is to fill in the chords or harmony (i.e. But when they are sung or played with the melody, it is clear that they are not independent melodic parts, either because they have the same rhythm as the melody (i.e. They may follow many of the rules of well-written counterpoint, and they can sound quite different from the melody and be interesting to listen to by themselves. In most well-written homophony, the parts that are not melody may still have a lot of melodic interest. All other parts provide accompaniment or fill in the chords. Homophony has one clearly melodic line it’s the line that naturally draws your attention. Describing homophonic music you may hear such terms as chords, accompaniment, harmony or harmonies. Homophonic music can also be called homophony. Listen to the monophony in “Llibre Vermell de Montserrat : Advocatam innocemus” by Namur Chamber Choir. Listen for the cello performing a single melody in Bach’s Cello Suites. A fife and drum corp, with all the fifes playing the same melody.A group of people all singing a song together, without harmonies or instruments.It is sometimes called monody, although the term “monody” can also refer to a particular type of solo song (with instrumental accompaniment) that was very popular in the 1600s. Monophonic music can also be called monophony. There may be rhythmic accompaniment, but only one line that has specific pitches. Monophonic music has only one melodic line, with no harmony or counterpoint. For specific pieces of music that are good examples of each type of texture, please see below. Here are definitions and examples of the four main types of texture. There are many informal terms that can describe the texture of a piece of music (thick, thin, bass-heavy, rhythmically complex, and so on), but the formal terms that are used to describe texture all describe the relationships of melodies and harmonies. We will focus on monophony, polyphony, and homophony in this course. In musical terms, particularly in the fields of music history and music analysis, some common terms for different types of texture are: For example, a thick texture contains many “layers” of instruments. Texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices. A good example is a moment in the "Hallelujah" chorus where the chorus sings a series of "Hallelujahs" in the same rhythm.In music, texture is how the melodic, rhythmic, and harmonic materials are combined in a composition, thus determining the overall quality of the sound in a piece. Homophonic music has one clear melodic lin, the part that draws your attention, and all other parts provide accompaniment. An example of monophony is one person whistling a tune, or more musical example is the clarinet solo that forms the third movement of Messiaen's Quartet for the End of Time.Ī homophonic texture refers to music here there are many notes at once, but all moving in the same rhythm. We refer to these overall effects as texture.Ī monophonic texture refers to muisc with a single melodic line (no harmony or counterpoint) sounding the same thing at the same time - whether played or sung, performed on a single instrument or by a voice or voices and instruments playing in unison. ![]() More often we might have several different instruments playing together, each with its bit of melody, or a song that has a chordal accompaniment on piano. ![]() Most of the music we listen to consists of more than a single melodic line.
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